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Read e-book online 9/11 Culture PDF

By Jeffrey Melnick

ISBN-10: 1444358154

ISBN-13: 9781444358155

9/11 Culture serves as a well timed and obtainable advent to the complexities of yankee tradition within the wake of the September 11 assaults.

  • Gives balanced examinations of a wide catalogue of artifacts from movie, song, images, literary fiction, and different well known arts
  • Investigates the ways in which 11th of September has exerted a shaping strength on a variety of practices, from the politics of femininity to the poetics of redemption
  • Includes pedagogical fabric to help realizing and instructing, together with movie and discographies, and an invaluable lecturers' preface

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Extra resources for 9/11 Culture

Example text

September 11 Terrorist Attacks, 2001, in art. 2. September 11 Terrorist Attacks, 2001–Infl uence. 3. Popular culture–United States. 4. Popular culture–Social aspects. I. Title. II. Title: Nine/eleven culture. 45873931–dc22 Acknowledgments The work I have done in 9/11 Culture grows from a course I have been teaching at Babson College for the past four years and it is my true pleasure to acknowledge the many ways my students have shaped this work. These students have contributed an enormous amount to 9/11 Culture and I wish I had the space to thank the many who went beyond the class requirements to help push this book along.

Rachel Rubin’s scholarly work continues to set the bar for me. Her engaged interdisciplinary scholarship constitutes my primary academic model. That she has balanced this academic work with meaningful activism, as president of her union and elsewhere, is simply awe-inspiring. Rachel’s influence is plain throughout this book, from the overall shape of it to numerous individual insights. Her intellectual generosity is a central fact of my own academic life. Taken together with all she shares me with me as co-parent and life partner, I just feel lucky.

G. “Hollywood” or “the Big Three television networks”) and their responses to 9/11. The thematic chapters that follow represent an argument against more traditional scholarly attempts to catalog how 9/11 appears in film or television or music. Using 9/11 is not, I want to be clear, a simple cultural bait-and-switch. The burden of this book is not to demonstrate that literary and popular artists are answering “9/11” when they really mean something else, or to reveal that loads of people are using 9/11 as a cheap shout-out – a way to establish authority, seriousness of purpose, marketability, and so on.

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9/11 Culture by Jeffrey Melnick


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